Kim Mo-ran is working for CJ Cultural Foundation, the only Korean corporate foundation to support young and talented artists in the pop culture industry. She is especially in charge of ‘TUNE UP’, a primary business of ‘CJ Cultural Foundation’ discovering and supporting new indie Korean musicians. She is also managing Youtube ‘AZIT BEAT’, an online platform and stage to promote new musicians and their music nationally and globally. It has been consistently introducing various music through unique production styles and stage designs which is undoubtedly one-of-a-kind.

Kim Mi-so is the executive director of the DMZ Peacetrain Music Festival. She studied Korean traditional music and planned various projects in the fields of popular music, traditional arts, and festivals. Her main projects include Ulsan World Music Festival, UlsanAPaMM, Platform Changdong 61, and Zandari Festa. Since the pandemic, she founded ALPS inc. to produce and distribute both face-to-face and non-face-to-face contents for music & performing arts.

Kim Sang-woo studied Sociology of everyday lives and Cultural sociology in addition to arts, cultural studies, and social politics at Pusan National University. He is working as a researcher at Ulsan Research Institute, studying ways to establish a cultural infrastructure and create a social atmosphere for citizens to enjoy their cultural lives. Recently, he is doing research on activities of Ulsan involving a UNESCO Creative Cities of Music mainly centered on UslanAPaMM, which has been growing in its influence as an exchange platform of international music in the past decade.

Kim Yong-hwan is a CEO of Beatsomeone Corp., providing music contents of music creators such as K-Pop composers and beatmakers at home and abroad. He has 13 years of professional experience in new entertainment new business and marketing such as Cube Entertainment general manager, sidusHQ team leader, and YG Entertainment. It has been selected as a music technology company by the Korea Creative Content Agency after passing the Young Entrepreneurship Academy of the Korea SMEs and Startups Agency.

Bae Jin-hee is a CEO of Variety Media ‘Amberin’. She planned and directed 2016 BTS world tour stage video, Kim Jae-joong hologram concert, collaboration music video of Na Yoon-sun and Lia Kim, and is directing the immersive media art 'Klimt & Music Concert', She is working on various projects across media and genres, such as directing the art film 'SAM SAM O RAK(樂)' for the National Orchestra of Korea. In addition, she is a lecturer at the Kukje University of Arts and strives to nurture the younger generation.

Becc Bates, Director for Creative Industries within the Innovation and Science division of Department for Innovation and Skills in state government of South Australia. She is responsible for the development and delivery of strategies that stimulate growth in the creative industries, and, the facilitation of coordinated support for organizations and Statutory Authorities: SA Film Corporation, Adelaide Film Festival, JamFactory, Music Development Office and St. Paul’s Creative Centre. Becc was instrumental in the establishment of the state’s Music Development Office(MDO) which brought together the arts and industry areas of the State Government to recognise music as an industry as well as a creative endeavour. In addition, she drove the development of the St. Paul’s Creative Centre. Programs delivered by the MDO facilitate pathways to support emerging musicians and include initiatives that encourage creative collaboration, and export market development. The MDO is one of the three Executive Partners, along with the Adelaide Festival Centre and the City of Adelaide, working to meet the obligations of Adelaide’s designation as a UNESCO City of Music. The St. Paul’s Creative Centre is an industry development initiative in the form of a co-working and creative industries precinct, located in the heart of Adelaide. St. Paul’s is a semi-curated space which provides an environment for complementary creative businesses to co-exist, bringing together a mix of students, community groups, funded arts organizations, not-for-profits and commercial start-ups. Prior to this, she was a partner in a music management company and worked with many artists in. She was in charge of career development, business development, strategic direction, tour management and international contract negotiations.

Won il is a representative figure in the field of traditional Korean music, and has been active as a performer, composer, professor, artistic director, and band leader. He is currently serving as the artistic director of the Gyeonggi Sinawi Orchestra and is hosting Yeosiamun, a radio program for Korean traditional music broadcasting. He is the inheritor of the important intangible cultural asset No. 46, Daechwita and Piri Jeongak. He served as the artistic director for the National Gugak Orchestra from 2012 to 2015, for the Yeo Woo-rak Festival from 2017, for the opening and closing ceremonies of the 2018 Pyeongchang Winter Olympics. He also served as the general director of the opening and closing ceremonies of the 100th National Sports Festival and the 39th National Para Games in 2019. He formed the world music group 'Puri' in 1993 and served as the representative of the Korean music ensemble 'Wind Flower' from 2007 to 2011.

Lee Yong-min has served as the operation committee and executive secretary- general of the Tongyeong International Music Festival who contributed to the growth of the foundation’s major project which is the Tongyeong International Music Festival and the ISANGYUN Competition since 2002. Also, he played a leading role in building the Tongyeong Concert Hall and the Isang Yun Memorial Museum and led the entry of Korea’s first UNESCO Creative Cities of Music. He is working as an expert in music exchange projects between South and North Korea. He has strived to establish cultural and educational infrastructure in Tongyeong city by attracting the center at Korea National Institute for the Gifted in arts. He is currently a CEO of the Tongyeong International Music Foundation(TIMF), an adjunct professor at Kyungnam University and a a director of the Association of Asia-Pacific Performing Arts Centers(AAPPAC).

Lee Weon-doo is a marketing vice president(CMO) of DIGISONIC Co., Ltd., which develops next-generation sound technology and an adjunct professor in the Department of YouTube at Sejong Cyber University. He also served as an adjunct professor in the Department of Visual at Sungkyunkwan University and a chief marketing director of BTL at TBWA KOREA and was selected as one of Korea’s 20 Creative Powers at Arena Homme Plus. He was an expert in charge of performance marketing for various brands such as Hyundai Card Culture Project, Super Concert, SKT 's Meet Table Gourmet Performance, T Street Cheering, and T Concert.

Im Young-sook majored in mathematics and computer science, and she has a Ph.D. in Cultural Contents Engineering. She has worked in the performing arts industry for 17 years, such as in Seoul Performing Arts Festival(SPAF), Universal Ballet, Jeongdong Theater, and Asia Culture Center(ACC), Korea National Contemporary Dance Company and etc. She is currently a senior researcher at LiST, a data-based technology company in the fields of big data, artificial intelligence, and knowledge graph.

Choi Kyu is Currently working as creative director at Performing Arts Market in Seoul. He is a producer, festival director and researcher. Under the themes of ‘Diversity and Inclusion, Art and the City’ and ‘Arts and Technology’, he has recently developed several research-led workshops and practices including ‘Connected City’, ‘The Korea DMZ Lab’ and Accessibility and creative development for arts and disability. He has worked as an artistic director as well as creative director for the UK/Korea Season Festival 2017-18, the Chuncheon International Mime Festival, and the Ansan Street Arts Festival. He is a founder of AsiaNow productions and has worked to develop the Asian Producers’ Platform and APP Camp since 2014.

Han Deog-taek has been working as a commissioner of Seoul Namsan Gukakdang, a non-executive director of Suwon Cultural Foundation, a general director of 2020 Seoul Intangible Culture Festival, an executive member of 2021 World Heritage Festival Suwon Hwaseong Cultural Festival’s Heritage Administration, and a lecturer of Seoul Institute of the Arts. He has committed to discovering contemporary values and preserving the identity of our culture through the utilization of our cultural heritage in the areas of traditional art performance planning, traditional cultural festivals, and cultural space operation.

Kim Mo-ran is working for CJ Cultural Foundation, the only Korean corporate foundation to support young and talented artists in the pop culture industry. She is especially in charge of ‘TUNE UP’, a primary business of ‘CJ Cultural Foundation’ discovering and supporting new indie Korean musicians. She is also managing Youtube ‘AZIT BEAT’, an online platform and stage to promote new musicians and their music nationally and globally. It has been consistently introducing various music through unique production styles and stage designs which is undoubtedly one-of-a-kind.

Kim Mi-so is the executive director of the DMZ Peacetrain Music Festival. She studied Korean traditional music and planned various projects in the fields of popular music, traditional arts, and festivals. Her main projects include Ulsan World Music Festival, UlsanAPaMM, Platform Changdong 61, and Zandari Festa. Since the pandemic, she founded ALPS inc. to produce and distribute both face-to-face and non-face-to-face contents for music & performing arts.

Kim Sang-woo studied Sociology of everyday lives and Cultural sociology in addition to arts, cultural studies, and social politics at Pusan National University. He is working as a researcher at Ulsan Research Institute, studying ways to establish a cultural infrastructure and create a social atmosphere for citizens to enjoy their cultural lives. Recently, he is doing research on activities of Ulsan involving a UNESCO Creative Cities of Music mainly centered on UslanAPaMM, which has been growing in its influence as an exchange platform of international music in the past decade.

Kim Yong-hwan is a CEO of Beatsomeone Corp., providing music contents of music creators such as K-Pop composers and beatmakers at home and abroad. He has 13 years of professional experience in new entertainment new business and marketing such as Cube Entertainment general manager, sidusHQ team leader, and YG Entertainment. It has been selected as a music technology company by the Korea Creative Content Agency after passing the Young Entrepreneurship Academy of the Korea SMEs and Startups Agency.

Bae Jin-hee is a CEO of Variety Media ‘Amberin’. She planned and directed 2016 BTS world tour stage video, Kim Jae-joong hologram concert, collaboration music video of Na Yoon-sun and Lia Kim, and is directing the immersive media art 'Klimt & Music Concert', She is working on various projects across media and genres, such as directing the art film 'SAM SAM O RAK(樂)' for the National Orchestra of Korea. In addition, she is a lecturer at the Kukje University of Arts and strives to nurture the younger generation.

Becc Bates, Director for Creative Industries within the Innovation and Science division of Department for Innovation and Skills in state government of South Australia. She is responsible for the development and delivery of strategies that stimulate growth in the creative industries, and, the facilitation of coordinated support for organizations and Statutory Authorities: SA Film Corporation, Adelaide Film Festival, JamFactory, Music Development Office and St. Paul’s Creative Centre. Becc was instrumental in the establishment of the state’s Music Development Office(MDO) which brought together the arts and industry areas of the State Government to recognise music as an industry as well as a creative endeavour. In addition, she drove the development of the St. Paul’s Creative Centre. Programs delivered by the MDO facilitate pathways to support emerging musicians and include initiatives that encourage creative collaboration, and export market development. The MDO is one of the three Executive Partners, along with the Adelaide Festival Centre and the City of Adelaide, working to meet the obligations of Adelaide’s designation as a UNESCO City of Music. The St. Paul’s Creative Centre is an industry development initiative in the form of a co-working and creative industries precinct, located in the heart of Adelaide. St. Paul’s is a semi-curated space which provides an environment for complementary creative businesses to co-exist, bringing together a mix of students, community groups, funded arts organizations, not-for-profits and commercial start-ups. Prior to this, she was a partner in a music management company and worked with many artists in. She was in charge of career development, business development, strategic direction, tour management and international contract negotiations.

Won il is a representative figure in the field of traditional Korean music, and has been active as a performer, composer, professor, artistic director, and band leader. He is currently serving as the artistic director of the Gyeonggi Sinawi Orchestra and is hosting Yeosiamun, a radio program for Korean traditional music broadcasting. He is the inheritor of the important intangible cultural asset No. 46, Daechwita and Piri Jeongak. He served as the artistic director for the National Gugak Orchestra from 2012 to 2015, for the Yeo Woo-rak Festival from 2017, for the opening and closing ceremonies of the 2018 Pyeongchang Winter Olympics. He also served as the general director of the opening and closing ceremonies of the 100th National Sports Festival and the 39th National Para Games in 2019. He formed the world music group 'Puri' in 1993 and served as the representative of the Korean music ensemble 'Wind Flower' from 2007 to 2011.

Lee Yong-min has served as the operation committee and executive secretary- general of the Tongyeong International Music Festival who contributed to the growth of the foundation’s major project which is the Tongyeong International Music Festival and the ISANGYUN Competition since 2002. Also, he played a leading role in building the Tongyeong Concert Hall and the Isang Yun Memorial Museum and led the entry of Korea’s first UNESCO Creative Cities of Music. He is working as an expert in music exchange projects between South and North Korea. He has strived to establish cultural and educational infrastructure in Tongyeong city by attracting the center at Korea National Institute for the Gifted in arts. He is currently a CEO of the Tongyeong International Music Foundation(TIMF), an adjunct professor at Kyungnam University and a a director of the Association of Asia-Pacific Performing Arts Centers(AAPPAC).

Lee Weon-doo is a marketing vice president(CMO) of DIGISONIC Co., Ltd., which develops next-generation sound technology and an adjunct professor in the Department of YouTube at Sejong Cyber University. He also served as an adjunct professor in the Department of Visual at Sungkyunkwan University and a chief marketing director of BTL at TBWA KOREA and was selected as one of Korea’s 20 Creative Powers at Arena Homme Plus. He was an expert in charge of performance marketing for various brands such as Hyundai Card Culture Project, Super Concert, SKT 's Meet Table Gourmet Performance, T Street Cheering, and T Concert.

Im Young-sook majored in mathematics and computer science, and she has a Ph.D. in Cultural Contents Engineering. She has worked in the performing arts industry for 17 years, such as in Seoul Performing Arts Festival(SPAF), Universal Ballet, Jeongdong Theater, and Asia Culture Center(ACC), Korea National Contemporary Dance Company and etc. She is currently a senior researcher at LiST, a data-based technology company in the fields of big data, artificial intelligence, and knowledge graph.

Choi Kyu is Currently working as creative director at Performing Arts Market in Seoul. He is a producer, festival director and researcher. Under the themes of ‘Diversity and Inclusion, Art and the City’ and ‘Arts and Technology’, he has recently developed several research-led workshops and practices including ‘Connected City’, ‘The Korea DMZ Lab’ and Accessibility and creative development for arts and disability. He has worked as an artistic director as well as creative director for the UK/Korea Season Festival 2017-18, the Chuncheon International Mime Festival, and the Ansan Street Arts Festival. He is a founder of AsiaNow productions and has worked to develop the Asian Producers’ Platform and APP Camp since 2014.

Han Deog-taek has been working as a commissioner of Seoul Namsan Gukakdang, a non-executive director of Suwon Cultural Foundation, a general director of 2020 Seoul Intangible Culture Festival, an executive member of 2021 World Heritage Festival Suwon Hwaseong Cultural Festival’s Heritage Administration, and a lecturer of Seoul Institute of the Arts. He has committed to discovering contemporary values and preserving the identity of our culture through the utilization of our cultural heritage in the areas of traditional art performance planning, traditional cultural festivals, and cultural space operation.

Kim Mo-ran is working for CJ Cultural Foundation, the only Korean corporate foundation to support young and talented artists in the pop culture industry. She is especially in charge of ‘TUNE UP’, a primary business of ‘CJ Cultural Foundation’ discovering and supporting new indie Korean musicians. She is also managing Youtube ‘AZIT BEAT’, an online platform and stage to promote new musicians and their music nationally and globally. It has been consistently introducing various music through unique production styles and stage designs which is undoubtedly one-of-a-kind.

Kim Mi-so is the executive director of the DMZ Peacetrain Music Festival. She studied Korean traditional music and planned various projects in the fields of popular music, traditional arts, and festivals. Her main projects include Ulsan World Music Festival, UlsanAPaMM, Platform Changdong 61, and Zandari Festa. Since the pandemic, she founded ALPS inc. to produce and distribute both face-to-face and non-face-to-face contents for music & performing arts.

Kim Sang-woo studied Sociology of everyday lives and Cultural sociology in addition to arts, cultural studies, and social politics at Pusan National University. He is working as a researcher at Ulsan Research Institute, studying ways to establish a cultural infrastructure and create a social atmosphere for citizens to enjoy their cultural lives. Recently, he is doing research on activities of Ulsan involving a UNESCO Creative Cities of Music mainly centered on UslanAPaMM, which has been growing in its influence as an exchange platform of international music in the past decade.

Kim Yong-hwan is a CEO of Beatsomeone Corp., providing music contents of music creators such as K-Pop composers and beatmakers at home and abroad. He has 13 years of professional experience in new entertainment new business and marketing such as Cube Entertainment general manager, sidusHQ team leader, and YG Entertainment. It has been selected as a music technology company by the Korea Creative Content Agency after passing the Young Entrepreneurship Academy of the Korea SMEs and Startups Agency.

Bae Jin-hee is a CEO of Variety Media ‘Amberin’. She planned and directed 2016 BTS world tour stage video, Kim Jae-joong hologram concert, collaboration music video of Na Yoon-sun and Lia Kim, and is directing the immersive media art 'Klimt & Music Concert', She is working on various projects across media and genres, such as directing the art film 'SAM SAM O RAK(樂)' for the National Orchestra of Korea. In addition, she is a lecturer at the Kukje University of Arts and strives to nurture the younger generation.

Becc Bates, Director for Creative Industries within the Innovation and Science division of Department for Innovation and Skills in state government of South Australia. She is responsible for the development and delivery of strategies that stimulate growth in the creative industries, and, the facilitation of coordinated support for organizations and Statutory Authorities: SA Film Corporation, Adelaide Film Festival, JamFactory, Music Development Office and St. Paul’s Creative Centre. Becc was instrumental in the establishment of the state’s Music Development Office(MDO) which brought together the arts and industry areas of the State Government to recognise music as an industry as well as a creative endeavour. In addition, she drove the development of the St. Paul’s Creative Centre. Programs delivered by the MDO facilitate pathways to support emerging musicians and include initiatives that encourage creative collaboration, and export market development. The MDO is one of the three Executive Partners, along with the Adelaide Festival Centre and the City of Adelaide, working to meet the obligations of Adelaide’s designation as a UNESCO City of Music. The St. Paul’s Creative Centre is an industry development initiative in the form of a co-working and creative industries precinct, located in the heart of Adelaide. St. Paul’s is a semi-curated space which provides an environment for complementary creative businesses to co-exist, bringing together a mix of students, community groups, funded arts organizations, not-for-profits and commercial start-ups. Prior to this, she was a partner in a music management company and worked with many artists in. She was in charge of career development, business development, strategic direction, tour management and international contract negotiations.

Won il is a representative figure in the field of traditional Korean music, and has been active as a performer, composer, professor, artistic director, and band leader. He is currently serving as the artistic director of the Gyeonggi Sinawi Orchestra and is hosting Yeosiamun, a radio program for Korean traditional music broadcasting. He is the inheritor of the important intangible cultural asset No. 46, Daechwita and Piri Jeongak. He served as the artistic director for the National Gugak Orchestra from 2012 to 2015, for the Yeo Woo-rak Festival from 2017, for the opening and closing ceremonies of the 2018 Pyeongchang Winter Olympics. He also served as the general director of the opening and closing ceremonies of the 100th National Sports Festival and the 39th National Para Games in 2019. He formed the world music group 'Puri' in 1993 and served as the representative of the Korean music ensemble 'Wind Flower' from 2007 to 2011.

Lee Yong-min has served as the operation committee and executive secretary- general of the Tongyeong International Music Festival who contributed to the growth of the foundation’s major project which is the Tongyeong International Music Festival and the ISANGYUN Competition since 2002. Also, he played a leading role in building the Tongyeong Concert Hall and the Isang Yun Memorial Museum and led the entry of Korea’s first UNESCO Creative Cities of Music. He is working as an expert in music exchange projects between South and North Korea. He has strived to establish cultural and educational infrastructure in Tongyeong city by attracting the center at Korea National Institute for the Gifted in arts. He is currently a CEO of the Tongyeong International Music Foundation(TIMF), an adjunct professor at Kyungnam University and a a director of the Association of Asia-Pacific Performing Arts Centers(AAPPAC).

Lee Weon-doo is a marketing vice president(CMO) of DIGISONIC Co., Ltd., which develops next-generation sound technology and an adjunct professor in the Department of YouTube at Sejong Cyber University. He also served as an adjunct professor in the Department of Visual at Sungkyunkwan University and a chief marketing director of BTL at TBWA KOREA and was selected as one of Korea’s 20 Creative Powers at Arena Homme Plus. He was an expert in charge of performance marketing for various brands such as Hyundai Card Culture Project, Super Concert, SKT 's Meet Table Gourmet Performance, T Street Cheering, and T Concert.

Im Young-sook majored in mathematics and computer science, and she has a Ph.D. in Cultural Contents Engineering. She has worked in the performing arts industry for 17 years, such as in Seoul Performing Arts Festival(SPAF), Universal Ballet, Jeongdong Theater, and Asia Culture Center(ACC), Korea National Contemporary Dance Company and etc. She is currently a senior researcher at LiST, a data-based technology company in the fields of big data, artificial intelligence, and knowledge graph.

Choi Kyu is Currently working as creative director at Performing Arts Market in Seoul. He is a producer, festival director and researcher. Under the themes of ‘Diversity and Inclusion, Art and the City’ and ‘Arts and Technology’, he has recently developed several research-led workshops and practices including ‘Connected City’, ‘The Korea DMZ Lab’ and Accessibility and creative development for arts and disability. He has worked as an artistic director as well as creative director for the UK/Korea Season Festival 2017-18, the Chuncheon International Mime Festival, and the Ansan Street Arts Festival. He is a founder of AsiaNow productions and has worked to develop the Asian Producers’ Platform and APP Camp since 2014.

Han Deog-taek has been working as a commissioner of Seoul Namsan Gukakdang, a non-executive director of Suwon Cultural Foundation, a general director of 2020 Seoul Intangible Culture Festival, an executive member of 2021 World Heritage Festival Suwon Hwaseong Cultural Festival’s Heritage Administration, and a lecturer of Seoul Institute of the Arts. He has committed to discovering contemporary values and preserving the identity of our culture through the utilization of our cultural heritage in the areas of traditional art performance planning, traditional cultural festivals, and cultural space operation.

Kim Mo-ran is working for CJ Cultural Foundation, the only Korean corporate foundation to support young and talented artists in the pop culture industry. She is especially in charge of ‘TUNE UP’, a primary business of ‘CJ Cultural Foundation’ discovering and supporting new indie Korean musicians. She is also managing Youtube ‘AZIT BEAT’, an online platform and stage to promote new musicians and their music nationally and globally. It has been consistently introducing various music through unique production styles and stage designs which is undoubtedly one-of-a-kind.

Kim Mi-so is the executive director of the DMZ Peacetrain Music Festival. She studied Korean traditional music and planned various projects in the fields of popular music, traditional arts, and festivals. Her main projects include Ulsan World Music Festival, UlsanAPaMM, Platform Changdong 61, and Zandari Festa. Since the pandemic, she founded ALPS inc. to produce and distribute both face-to-face and non-face-to-face contents for music & performing arts.

Kim Sang-woo studied Sociology of everyday lives and Cultural sociology in addition to arts, cultural studies, and social politics at Pusan National University. He is working as a researcher at Ulsan Research Institute, studying ways to establish a cultural infrastructure and create a social atmosphere for citizens to enjoy their cultural lives. Recently, he is doing research on activities of Ulsan involving a UNESCO Creative Cities of Music mainly centered on UslanAPaMM, which has been growing in its influence as an exchange platform of international music in the past decade.

Kim Yong-hwan is a CEO of Beatsomeone Corp., providing music contents of music creators such as K-Pop composers and beatmakers at home and abroad. He has 13 years of professional experience in new entertainment new business and marketing such as Cube Entertainment general manager, sidusHQ team leader, and YG Entertainment. It has been selected as a music technology company by the Korea Creative Content Agency after passing the Young Entrepreneurship Academy of the Korea SMEs and Startups Agency.

Bae Jin-hee is a CEO of Variety Media ‘Amberin’. She planned and directed 2016 BTS world tour stage video, Kim Jae-joong hologram concert, collaboration music video of Na Yoon-sun and Lia Kim, and is directing the immersive media art 'Klimt & Music Concert', She is working on various projects across media and genres, such as directing the art film 'SAM SAM O RAK(樂)' for the National Orchestra of Korea. In addition, she is a lecturer at the Kukje University of Arts and strives to nurture the younger generation.

Becc Bates, Director for Creative Industries within the Innovation and Science division of Department for Innovation and Skills in state government of South Australia. She is responsible for the development and delivery of strategies that stimulate growth in the creative industries, and, the facilitation of coordinated support for organizations and Statutory Authorities: SA Film Corporation, Adelaide Film Festival, JamFactory, Music Development Office and St. Paul’s Creative Centre. Becc was instrumental in the establishment of the state’s Music Development Office(MDO) which brought together the arts and industry areas of the State Government to recognise music as an industry as well as a creative endeavour. In addition, she drove the development of the St. Paul’s Creative Centre. Programs delivered by the MDO facilitate pathways to support emerging musicians and include initiatives that encourage creative collaboration, and export market development. The MDO is one of the three Executive Partners, along with the Adelaide Festival Centre and the City of Adelaide, working to meet the obligations of Adelaide’s designation as a UNESCO City of Music. The St. Paul’s Creative Centre is an industry development initiative in the form of a co-working and creative industries precinct, located in the heart of Adelaide. St. Paul’s is a semi-curated space which provides an environment for complementary creative businesses to co-exist, bringing together a mix of students, community groups, funded arts organizations, not-for-profits and commercial start-ups. Prior to this, she was a partner in a music management company and worked with many artists in. She was in charge of career development, business development, strategic direction, tour management and international contract negotiations.

Won il is a representative figure in the field of traditional Korean music, and has been active as a performer, composer, professor, artistic director, and band leader. He is currently serving as the artistic director of the Gyeonggi Sinawi Orchestra and is hosting Yeosiamun, a radio program for Korean traditional music broadcasting. He is the inheritor of the important intangible cultural asset No. 46, Daechwita and Piri Jeongak. He served as the artistic director for the National Gugak Orchestra from 2012 to 2015, for the Yeo Woo-rak Festival from 2017, for the opening and closing ceremonies of the 2018 Pyeongchang Winter Olympics. He also served as the general director of the opening and closing ceremonies of the 100th National Sports Festival and the 39th National Para Games in 2019. He formed the world music group 'Puri' in 1993 and served as the representative of the Korean music ensemble 'Wind Flower' from 2007 to 2011.

Lee Yong-min has served as the operation committee and executive secretary- general of the Tongyeong International Music Festival who contributed to the growth of the foundation’s major project which is the Tongyeong International Music Festival and the ISANGYUN Competition since 2002. Also, he played a leading role in building the Tongyeong Concert Hall and the Isang Yun Memorial Museum and led the entry of Korea’s first UNESCO Creative Cities of Music. He is working as an expert in music exchange projects between South and North Korea. He has strived to establish cultural and educational infrastructure in Tongyeong city by attracting the center at Korea National Institute for the Gifted in arts. He is currently a CEO of the Tongyeong International Music Foundation(TIMF), an adjunct professor at Kyungnam University and a a director of the Association of Asia-Pacific Performing Arts Centers(AAPPAC).

Lee Weon-doo is a marketing vice president(CMO) of DIGISONIC Co., Ltd., which develops next-generation sound technology and an adjunct professor in the Department of YouTube at Sejong Cyber University. He also served as an adjunct professor in the Department of Visual at Sungkyunkwan University and a chief marketing director of BTL at TBWA KOREA and was selected as one of Korea’s 20 Creative Powers at Arena Homme Plus. He was an expert in charge of performance marketing for various brands such as Hyundai Card Culture Project, Super Concert, SKT 's Meet Table Gourmet Performance, T Street Cheering, and T Concert.

Im Young-sook majored in mathematics and computer science, and she has a Ph.D. in Cultural Contents Engineering. She has worked in the performing arts industry for 17 years, such as in Seoul Performing Arts Festival(SPAF), Universal Ballet, Jeongdong Theater, and Asia Culture Center(ACC), Korea National Contemporary Dance Company and etc. She is currently a senior researcher at LiST, a data-based technology company in the fields of big data, artificial intelligence, and knowledge graph.

Choi Kyu is Currently working as creative director at Performing Arts Market in Seoul. He is a producer, festival director and researcher. Under the themes of ‘Diversity and Inclusion, Art and the City’ and ‘Arts and Technology’, he has recently developed several research-led workshops and practices including ‘Connected City’, ‘The Korea DMZ Lab’ and Accessibility and creative development for arts and disability. He has worked as an artistic director as well as creative director for the UK/Korea Season Festival 2017-18, the Chuncheon International Mime Festival, and the Ansan Street Arts Festival. He is a founder of AsiaNow productions and has worked to develop the Asian Producers’ Platform and APP Camp since 2014.

Han Deog-taek has been working as a commissioner of Seoul Namsan Gukakdang, a non-executive director of Suwon Cultural Foundation, a general director of 2020 Seoul Intangible Culture Festival, an executive member of 2021 World Heritage Festival Suwon Hwaseong Cultural Festival’s Heritage Administration, and a lecturer of Seoul Institute of the Arts. He has committed to discovering contemporary values and preserving the identity of our culture through the utilization of our cultural heritage in the areas of traditional art performance planning, traditional cultural festivals, and cultural space operation.